Even at this time the identity of the architect was still considered a relatively unimportant matter, with the result that we do not know with certainty who was responsible for the designs. The nave, like the Arsenal gateway, is attributed to the local architect Antonio Gambello. The chancel, choir and chapels were probably finished under the direction of Pietro Solari – known as ‘il Lombardo’ because he came from Carona in Lombardy – after Moro’s death in 1471. 34 The church was consecrated in 1493. Curiously, neither the dome nor the present retrochoir behind the chancel is visible in the image of the church in Jacopo de’ Barbari’s scrupulously accurate woodcut bird’s-eye view of Venice of 1500.35 The positioning of the choir behind the high altar instead of its traditional place in front of the chancel where the choir of the Frari church still remains, figs 47 and 48 was to become an increasingly popular innovation in the sixteenth century, especially in Observant and Reformist contexts. It is tempting, therefore, to suggest that this is one case where 72 San Giobbe, attributed to Antonio Gambello, begun c.1450; interior towards chancel, by Pietro Lombardo, begun 1470 de’ Barbaras view failed to represent the real situation. Indeed, Gothic masonry on the exterior walls indicates that the structure of the retro- choir already existed in the fifteenth century.
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