ARCHITECTURE FOR HOME BUILDING 1

The corner towers and waterfront portico are a recollection of the pre-Gothic Veneto-Byzantine tradition, but the forms are those of the Tuscan Renaissance. How much Venetian architects knew of the scheme is equally uncertain. The manuscript of a Latin translation of Filarete’s treatise, made in 1484 for Matthias Corvinus, king of Hungary, was acquired by the library of the monastery of Santi Giovanni e Paolo in 1490. 19 The crafts- men who made Ferrini’s great wooden models in 1461 obviously had precise knowledge of the design, but how influential it proved to be at this early stage is not clear. 20 EARLY RENAISSANCE 123 While some palaces built in the succeeding decades clung to the luxuriant late Venetian Gothic style, others were constructed using purely classical forms. For example, the facade of the delightful Ca’ Dario on the Grand Canal, begun in the 1480s for Giovanni Dario, celebrated Venetian diplomat and former envoy at the Turkish court, displays neither the classical pediments nor the Tuscan biforate windows of Filarete’s ‘House in a Marshy Place’. Instead, the windows are simple round-headed openings arranged asymmetrically in the traditional Venetian manner characteristic of smaller-scale palaces fig. 69. Ca’ Dario is jewel-like in its combination of surface richness and small size.
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