ARCHITECTURAL SHED HOMES

Like the Redentore, the rear of the Salute displays a dome framed by two elegant bell towers. The diagonal minor facades of the Salute with their prominent thermal windows recall that of the church of the Zitelle on the Giudecca, also designed by Palladio, 128 Santa Maria della Salute, section from L. Cicognara, A. Diedo and G. Selva, Le fabbriche e i monumenti cospicue di Venezia, 11, Venice, 1840 Z20 THE ARCHITECTURAL HISTORY OF VENICE though executed after his death. The Salute’s central facade, too, with its huge columns on high bases framing niches containing statues, is overtly Palladian in style. Longhena emphasized the triumphal arch motif – already implicit in San Giorgio Maggiore – through the use of dynamic statuary and three-dimensional modelling. In the interior, the Salute has a giant order of Composite half-columns on high bases against piers articulated by a smaller order of Corinthian pilasters, all of these ele- ments taken from the interior of Palladio’s San Giorgio Maggiore figs 128 and 120. And, as Wittkower has shown, the dimensions of the Salute’s architecture are linked together in simple mathematical ratios, reflecting Palladio’s own interest in harmonized proportions.
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